The SSL G-Equalizer includes a pre-boost dip and a pre-cut rise, as well as a broader Q for more extreme equalization. That’s why many leading engineers use the E-Channel’s equalization for detailed problem-solving and mixing, and the G-Equalizer to shape and give character to the sound. SSL G-Channel G-Channel consolidates the equalization and dynamic controls of SSL G Series consoles into one convenient tool. The G-Channel EQ module delivers the original hardware’s characteristic pre-boost dip, pre-cut rise, and broad Q for extreme frequency manipulation. The Dynamics section features soft-knee compression and limiting, a gate/expander, and automatic makeup gain for rock steady output levels. Together, they deliver the one-of-a-kind sound and convenient routing flexibility that have made the SSL G-Series console a control room classic.

1. Waves Ssl 4000 Plugin Bundle

Waves Ssl 4000 Plugin Bundle

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Get the guaranteed best price on Effects Plugins like the Waves SSL 4000 Collection Bundle Native/TDM/SG at Musician's Friend. Get a low price and free shipping on thousands of items. Plug-in Bundle Based on SSL 4000 Console with 4. Delivered by download. Our unique partnership with Waves delivers your license. Plugin bundle, Waves. Download free Waves SSL 4000 Collection FX Bundle Demo Developed under license from Solid State Logic, The SSL 4000 Collection includes four meticulously modeled plugins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, the SSL G-Equalizer and the all-new G-Channel.

Developed under license from Solid State Logic, The SSL 4000 Collection includes four meticulously modeled plugins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, the SSL G-Equalizer and the all-new G-Channel. These plugins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference. SSL E-Channel The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your computer.

Hi graham, Can you share some tips on how to work with compressors that have automatic make-up gain? My current work flow for compressing drums is this: first i set the threshold to 0 (max) and dial the ratio setting to the highest. Norton 360 v22 crack. I first lower the threshold until i get the slap effect that i want without squashing the sound.

Hi graham, Can you share some tips on how to work with compressors that have automatic make-up gain? My current work flow for compressing drums is this: first i set the threshold to 0 (max) and dial the ratio setting to the highest. I first lower the threshold until i get the slap effect that i want without squashing the sound.

Compression instead of distortion is my preference, but both work well in this situation.” 8. Buss Compression “Buss compression is always 1.5 to 1, with open threshold and release times to add some breathing to the beat. This also adds dimension to your mix.”.

Thanks Graham much appreciated •. Graham, these plugins came out probably 10 years ago. What is you opinion on the fact there has been tremendous technology advances on our ability to model anything from audio devices to amps. I feel like there is not much in the way of updates for these plugins other than updates to make them compatible with new platforms such as a new version of windows. Do you feel like they were already good enough or have their been updates that I’m not aware of?

This works well for adding body and warmth to most guitars.” 7. Vocal Double “On a vocal double I like to compress hard with 1K plus 3 to 5 dB and cut some bottom to support the main vocal. Compression instead of distortion is my preference, but both work well in this situation.” 8. Buss Compression “Buss compression is always 1.5 to 1, with open threshold and release times to add some breathing to the beat.

Maybe you can help me with the split button in the filter section – I saw one tutorial where the mixer said if you press the split button in the filter section those frequencies wont be effected by the compressor? Surely if the filter section is before the compressor i.e. – filter section,eq section,compressor section it will be effected by the compressor or am i missing something here? Thanks Graham much appreciated •. Graham, these plugins came out probably 10 years ago.

And could you also share how auto makeup gain in compressors like the ssl channel strip actually work? Nice one Graham as always very well explained and simple to understand. I’m learning this plug in just now and was reading the manual and watching other tutorials and was getting a little confused by the internal routing options and you just explained it. Maybe you can help me with the split button in the filter section – I saw one tutorial where the mixer said if you press the split button in the filter section those frequencies wont be effected by the compressor? Surely if the filter section is before the compressor i.e.

The Dynamics section features soft-knee compression and limiting, a gate/expander, and automatic makeup gain for rock steady output levels. Together, they deliver the one-of-a-kind sound and convenient routing flexibility that have made the SSL G-Series console a control room classic. System Requirements Mac OS X: Memory: • 8 GB RAM • 8 GB free disk space on the system drive CPU: • Intel Core i5 / i7 / Xeon Operating System: • 10.10.5 – 10.12.5 • Screen Resolution: • Minimum: 1024×768 • Recommended: 1280×1024 / 1600×1024 • USB displays are not supported as the primary display Support for Visually Impaired Users: • Mac OS Sierra 10.12.4 • VoiceOver Utility enabled • Pro Tools 12.7 • Logic 10.3.1 Note: • Preset management via the WaveSystem Toolbar is currently not supported (this will be added soon).